Immersed in the Impressionists

•May 15, 2013 • 5 Comments

I had big plans for April – I was going to focus on Art with a capital A.  I was going to read about art, watch movies about art, go to art museums and galleries, arrange flowers artistically, sketch; I was going to make jewelry, garden art, and of course a few textiles.

I did go to four art museums when I was in San Diego, and a lot of small galleries.  I was very inspired and I’m sure I would have turned out great works of art as soon as I got home, except that I got a little sidetracked.

One of the books I took with me on my trip was Dancing for Degas, by Kathryn Wagner.  It is a fictional account of Degas’ career, told through the eyes of one of his ballerina subjects.   Quotes on the  cover compared it to Girl with a Pearl Earring, so I had high hopes that this book would draw me in and set me down in 1870s Paris.  Maybe with the added bonus of detailed information on the ballet costumes.

The short introduction was wonderful – a glowing description of being on stage, in a way that combined dance, drawing, and the art of language.

And then I read the rest of the book.

I hoped for a book about the creation of art – painting, music, and dance.  What I got was just another book about a girl who is willing to give up everything for the attention of some man who could care less about her.  There was very little character development, just an endless series of observations along the lines of “Today Monsieur Degas looked at me as if he really saw me,” and “Maybe if I wear a green dress, Monsieur Degas will notice me.”  It could have been set anywhere, with any two people, because its theme was just Girl Wants Attention from Guy.

But!  In the middle of all this unrequited love, there was a short section describing the hardships of being besieged in Paris in the winter!  What?

It turns out that there was a Franco-Prussian War in 1870-1871, followed by the Fourth French Revolution in 1871.  This was news to me!

Like most people, I think of the Impressionists as being the Art Movement of light and gaiety and good times -  maybe a little controversial in their time, but nothing really stressful.  Just artists living up to their bohemian stereotypes.

Wouldn’t you just love to jump into this painting?
Renoir: The Luncheon of the Boating Party, 1881, Phillips Collection, Washington

source

But I should know a little more, because I have an art degree and took three years of art history. I have been a historic re-enactor and I watch all kinds of history shows.  I have been to Paris!  How did I miss a whole war?  I started reaching for more books to find out how this war affected all these artists I thought I knew so much about.

Basically what happened was, the French elected Napoleon’s nephew to be President of the Second Republic (1848), but after a few years he decided to instead make himself Emperor Napoleon III of the Second Empire (1852).  To impress the world with France and its culture, he had huge areas of the old medieval Paris torn down to make way for the new broad avenues we associate with Paris today.  Wanting to boost the reputations of France and of his own ruling family, he spent huge amounts of money on the arts.  Eventually he picked a fight with Prussia (never a good idea).  The Prussians quickly moved into France and besieged Paris (1870).

The siege of Paris was over in January of 1871, but the troubles weren’t.  The disaster of the war caused the citizens to rise up.  Various troop skirmishes and retreats caused a vacuum of power in Paris itself, and its citizens formed the Commune government in March of 1871.  Strife continued for two months, with the regular French army finally controlling all of Paris, and executing tens of thousands of those who were accused of supporting the Commune, many of them without even a trial.  There were 2 million people in Paris at the time, and about 80,000 of them were killed in fighting or executions.

Artists experienced the Franco-Prussian war in different ways.  Manet closed his studio and moved his pictures out of the path of bombardment.  He was a staff officer in the National Guard, where his commanding officer was Ernest Meissonier, a famous artist of the Classicist school that Manet was rejecting.  Manet, already notorious for Le déjeuner sur l’herbe and Olympia, felt slighted because  Meissonier never even acknowledged him as a painter.  Manet’s military duties were limited, but he did carry dispatches during a battle.¹

Degas was in the National Guard and involved in the defense of Paris.  Another young artist, Bazille, was killed in a battle.  Since his career was cut short, his work is not well-known today.

Cézanne left for the Marseilles area, and was declared a draft dodger, but the war ended before he could get in too much trouble over it.  He had been painting dark scenes, even violent scenes of rape and murder(!), but turned to lighter, more colorful landscapes in Marseilles.

Monet took his family and sat out the war in London, where he painted lots of beautiful pictures of the Thames from his hotel room.  Pissarro had been born in Saint Thomas which was in the Danish West Indies at the time, so he was Danish by citizenship and therefore not eligible to fight, so he also went to London.  (The art dealer Paul Durand-Ruel, also in London during the war, met Monet and Pissarro there.)

When Pissarro returned home, he discovered that troops had occupied his home and ruined over 1500 of his paintings!  It was 20 years of work.  I think I would have given up entirely, but he started over and painted for about 30 more years.

Mary Cassatt also left during the period of the war, and returned home to the US.  However, she lost some paintings in the Great Chicago Fire of 1871.  She returned to Europe in late 1871.

I cannot find any information on what Berthe Morisot did during the war, but I am still looking!

I can’t find out what Renoir did during the war either, but during the Commune, he was out painting by the river Seine. Communards thought he was a spy, and were about to throw him in the river, when he was recognized by someone he had protected earlier.

When I look at the work of these artists, I don’t really see any evidence of their experiences of strife and deprivation.  I don’t know that I need to.  Paul Johnson in his book Art: A New History,  says, “The Impressionists had given up the struggle for realism and retreated into the quest for sensuous beauty, had plunged, as it were, into the lily pond.”²  He says that we have paid too much attention to the Impressionists over the last 50 years, obscuring the work of other talented artists of the time, the Social Realists, who painted the modern world with the hope of improving it.  But later on he says, “But the First World War and its horrors made many [artists] feel that the realities of life were so spectacularly unpleasant that an artist perhaps serves society better by averting his gaze and seeking beauty for consolation.” ³  Which sounds to me like the Impressionists had a good point after all.

It’s something that I think about often, the consolation of art. Art may not be the best way to deal with the shocking realities of our world, but for me, it is a good way.

I didn’t like Dancing with Degas very much as a novel, but I am grateful for the spark of curiosity it set off, and the path it led me down as I learned more about art and artists.

¹ This is from the 1910 book Manet and the French Impressionists by Theodore Duret. Duret knew Manet personally, and this book is pretty interesting, although character recognition problems in the scanned book make some pages unreadable.

²Johnson, Paul, Art: A New History, HarperCollins Publishers, 2003, p. 608

³Ibid., p. 616

Spring Discoveries

•April 28, 2013 • 9 Comments

Did you know a turtle’s eyes are striped?

red-eared slider

Harper found this red-eared slider far from the pond, out in the pasture.  The pasture had just been disked to get it ready for hay sprigging.  The turtle wasn’t hurt, but I thought it would be too hard for her to make it across the dirt back to the pond.  I took some photos, then put her back, close to the water.

turtle eye close-up

A day later I found this turtle in the yard, digging a hole to lay eggs. Her shell patterns match up with photos I took last year, so I believe it’s the same turtle.

Did you know baby mockingbirds have little hook-shaped ridges on the roof of their mouths?

mockingbird babies

It’s interesting to see how the feathers emerge in a pattern.

Did you know that mayflies are the only insect that molts from one winged stage to another?

mayfly

If you look carefully you can see the crumpled wings.

I didn’t.

What will you discover this spring?

prairie phlox

This is the first year I have seen this flower growing here.

Soaking Up Inspiration in San Diego

•April 22, 2013 • 5 Comments

I have been absent for a while, but I haven’t been inactive!  I have been traveling instead.  Just recently we went to San Diego for the first time.  We had a wonderful time – we enjoyed a spell of cool weather, delicious food, and great service wherever we went.

I went to four museums, and saw interesting things at all of them, but sadly, none of them allowed photography.  So I will only be able to share things that inspired me at outdoor sites – the San Diego Zoo, the harbor tour from the Maritime Museum, and Cabrillo National Monument on Point Loma.

Sadly, I missed Visions Art Museum: Contemporary Quilts and Textiles, even though I was just blocks away at one point.  It was not listed in the 2009 Frommer’s travel guide I was using, so I didn’t know about it until it was too late.  :(   But now that is something to look forward to on my next trip!

Hopes Raised – Dashed – Raised Again

•April 6, 2013 • 8 Comments

The other day I was reading Nana Cathy’s post about her monthly photo scavenger hunt.   I feel like I’ve had a little vacation when I follow along on these walks.  She had a photo of Castle Howard and said it might be familiar from  Brideshead Revisited.

I’ve never seen that series so I searched for it on Amazon.  But one of the other search results caught my eye -  The Story of the Costume Drama.  In five parts!   I love to watch those shows about the castles and stately homes that serve as sets for these dramas – they show historical photographs of the house, and how they adjusted the rooms for the series, and what the abandoned parts of the house look like now, and so on.  So when I saw this title, images flashed through my mind.   I expected interviews with costume designers, shots of rare fabrics stacked to the ceiling in out-of-the-way shops, dedicated technicians stitching pearls onto skirts for queens, directors laughing about costume malfunctions…  I couldn’t believe no one had ever done such a series before and I couldn’t wait to watch it!

Unfortunately I misinterpreted what the series is about.  The first episode, The Greatest Stories Ever Told, was an overview of all kinds of costume dramas that have aired from about 1970 onward.  Most of the ones they chose to highlight were on ITV, a television network in the UK.  The episode seemed to me like a 45-minute commercial for ITV’s achievements.  Also, for each series, they showed the most controversial moment, which resulted in the episode being a string of assaults, violence, and screaming fights.  I watch costume dramas to relax – I found this list of Dramatic Moments to be far from relaxing.

I wised up a little and skipped episodes two and three- The Stars, and Affairs of the Heart.  I’m not that interested in actors talking about themselves, and the narrator had already gushed several times about Colin Firth and his dive into the pond in Pride and Prejudice, so I thought I could safely skip those episodes.

Episode four – Picture Perfect – was finally what I was looking for.  It showed some of the locations that have been used in costume dramas, and some of the computer effects that have enhanced reality to help tell the story.  There was finally about ten minutes to discuss costuming and make-up!

1890s interpretative costume

This is from a historical park, not a real costume drama. We had a great location, but could have used a knowledgeable costumer.

I had always thought that all these productions would hire their own costume staff, but I learned that many of them use established costuming companies such as Angels: The Costumier.   Angels has eight miles of costumes hanging in their warehouse, and they offer tours!  I am willing to find out about an available date for a tour, and then plan a trip to London  around it!

I watched episode five – A Call to Arms – because I was hoping they would talk about how they research the uniforms of the different countries over the centuries, but no.  All I learned was that the uniforms of the 1700s and 1800s British navy made people stand up straight.

Mexican soldier re-enactors

Mexican soldier re-enactors.  I think a show about uniform research could be fascinating!  PBS!  Are you listening?  Just how many times can we watch Josh Groban?

So I am still waiting for a fabulous series about costume designers.  But I did learn about some costume drama series I had never heard of before, so at least I have hopes of watching some enjoyable series while I wait for Season Four of Downton Abbey.

It’s Not Too Late to Make Plans for Pillow Fight Day

•April 1, 2013 • 14 Comments

I was sad to discover that I  have already missed Worldwide Quilting Day and Holi, the Color Festival, this year.  I looked on the web for a master list of textile-related celebrations so I wouldn’t miss out on any more, but couldn’t find a list.  So I created my own.  I posted a summary on another page, complete with links to event planning pages if I was able to find them.

While looking, I discovered some new events too!  These are mostly related to textiles, but I threw in a few others especially for members of my family who love them.

January 7 – Roc Day.  Also known as St. Distaff’s Day, this is the day spinners traditionally returned to their tasks after Christmas.

January 15 – National Hat Day

antique photo of children with hats

Why does the smallest child have the largest hat?

February – Embroidery Month

embroidery

French knots and daisy stitch

February 10 – National Umbrella Day

illustration of woman with tiny parasol

Can one carry a parasol on umbrella day?

February 15 – Make a Blanket Day – this is sponsored by Project Linus, to make blankets for kids in the hospital.  The date changes from year to year.

February 27 – International Polar Bear Day

March – This is both National Craft Month and National Crochet Month.

watch case

My dad has crafted many wonderful things over the years. He made this case to display a family pocket watch.

crochet

Crocheted by my mom!

March 12 – Birthday of Isabella Beeton (1836), who wrote Mrs. Beeton’s Book of Household Management, one of my favorite books to relax with.

March 15, 2014 – Worldwide Quilting Day,  next year!

patchwork

Worldwide Quilting Day

March 27 and 28 – Holi.  This color festival sounds like so much fun.  The dates change and I don’t know the dates for next year’s celebration.

April 6 – National Pillow Fight Day.  This is sponsored by the Urban Playground Movement, which aims to get people interacting with each other instead of sitting around watching TV.  The closest event to me is in Austin – who knows?  I might go!

embroidered pillow case

This pillow case is too pretty to have in a pillow fight.

April 23 – World Book Night.  This is the second year for this in the US.   Last year, 25,000 volunteers went out in their communities and gave away a half million books to people who are not normally readers.  A panel picks 30 books to give away, the authors waive their royalties on those books, and the books are specially printed just for this event.  I won’t be out giving away books, but I will stay up late reading!

Last full week of April – National Laundry and Linen Week.  I searched in vain for a Cotton Day or Silk Week – I found this event to celebrate Linen – but it seems a little sad to me that the linen doesn’t rate a full observance on its own – it is inextricably tied to laundry.

linen

Linen with cutwork

May 4 – Star Wars Day.  May the Fourth be with you!

May 5 – National Alpaca Day in New Zealand.

May 7 – Lost Sock Memorial Day.  The website states that some people actually hold a little memorial service for their orphan sock on this date.  I would need a backhoe to bury all my odds and ends of socks.

socks

It wouldn’t be possible to misplace these socks!

May 8 – National No-Socks Day.  Now that you’ve gotten rid of your unmatched socks, I guess you give them up for summer!

May 15 – National Clean-Out-Your-Purse Day.  If you are one of those people that collects handbags, I guess you will be busy!

May 25 – National Towel Day.  This is not a pure day of textile celebration; it is really in remembrance of Douglas Adams, the author of The Hitchhiker’s Guide to the Galaxy.  Apparently towels are important in that series.  I only read the first one, back before any of the others were even published.  Maybe this should be my book choice on World Book Night so I can see what’s going on with the towels.

June – various weeks – National Dairy Goat Awareness Week.  This one struck me funny, because it was actually a Presidential Proclamation last year.  I don’t know if it will be repeated this year.  This is the only animal that even got a proclamation!  What about fiber goats?  What about meat goats??  I am definitely not telling Leila about this.

goat and sheep

“Did you know neither one of us was recognized by the White House?”

June 8 – 16 – Worldwide Knit in Public Day.  Yes, they still call it a day, but they have extended it to a week, to allow more participation all over the world.

knit baby booties

Baby booties knit by my grandmothers.

July 7 – Birthday of Joseph Marie Charles.  You and I know him as Monsieur Jacquard, of Jacquard loom fame.  I just found out that Charles is his real last name, and Jacquard was more of a nickname, to distinguish different branches of his huge family.  Anyway, if it wasn’t for him, we might never have used punch card technology, and then where would the computer world be?

July 31 AND December 7 – National Cotton Candy Day.  This is as close as we get to having a Cotton Day.  When I searched for Cotton Day, I got over 33 million results for Cotton Candy Day instead.  Since cotton candy has two days, maybe they can release one to cotton.

September – National Sewing Month

hand-sewn dress

This dress from the 1800s was entirely hand sewn. I love these little cartridge pleats.

September 18 – Birthday of Mary E. Black, who wrote the monumental textbook, The Key to Weaving.  I would have loved to put down the birthdays of many more weavers and textile artists, but Wikipedia has a dearth of entries about them!

Third Wednesday in September – National Backpack Awareness Day.  It sounds kind of funny, but this day has a serious intent of making parents aware that heavy backpacks can cause back problems in young people.

backpacks

Why does the smallest child have the biggest backpack?

September 28 & 29 – National Alpaca Farms Day, US and Canada.  I know one of our local towns, Navasota, has an alpaca celebration every year.

October 1 – National Lace Day

lace

Lace is so wonderful it deserves a week at least.

October 7 – 13 – National Spinning and Weaving Week, US (the dates change from year to year).  I found that the UK had a National Spinning, Weaving, and Dyeing Week in May in 2012, but was not able to find any information for this year.

painted warp on loom

I didn’t spin it, but I did dye and weave it.

October 14 – 20 – Wool Week, UK.  HRH the Prince of Wales started this organization (with a gorgeous logo) to boost the wool business – last year they ran sheep down the streets of London or something like that.  This year the US is getting in on the fun too, but I’m not sure if the dates are the same here.

October 26 – National Bandanna Day, Australia.  This is another fun day with a serious intent – its aim is to raise awareness about and support for teenagers who have cancer or who have been affected by cancer in their families.

October 27 – Hug a Sheep Day.

goat kid

OK, this is actually an Angora goat kid, not a sheep – but the sentiment is there!

I looked for a Llama Day – last year there were six different dates listed as “National Llama Day” on people’s blogs, but I couldn’t find any for this year.

llamas

“The alpacas get a whole weekend!! Why don’t we get a day?”

And that’s it!  No textile holidays in August, November, or December!  Did I miss any?  Please let me know!

March Materials Madness

•March 29, 2013 • 6 Comments

It all started with the book, The Uncommon Quilter: Small Art Quilts Created with Paper, Plastic, Fiber, and Surface Design by Jeanne Williamson.   It’s a big title, but the quilts in the book are small  – Williamson was challenging herself to make create one experiment a week.  She just wanted to try new things, without worrying about whether they were successful or not.  Using all kinds of found and recycled objects, she played with color, composition, texture, and form.

I was really intrigued by her idea of just experimenting, and of using no-cost objects, and I have had it in the back of my mind for years.  Here are some of the materials I decided to try.  As I brought them out to play, I found  that a few lost my interest quickly  – they just seemed to require too much effort for mediocre results.  But most were fun to play with, and I can see myself using them again in the future.

First, the real wash-outs.  I had six spools of Solar Active Thread – it is white to start with, but is supposed to turn color in the sun.  I thought it would be a variegated thread, but each spool is supposed to change to just one color, magenta, red, etc.  I’m not sure what the good of this would be.  If you know you want red thread, wouldn’t you just put red in the sewing machine?  What is the advantage of white thread that turns red?

To make it worse, the thread broke continuously, and did not turn color at all in the sunlight.  To be fair, I was given this thread, and there’s no telling how old it is, but still.

I tried making silk fusion paper earlier in the month, and that process left me cold.  It involved a lot of textile medium and drying time, to get a dull result.  My fiber will be spun, not fused, from now on.

Next I tried dyeing batting.  I read about this in Quilting Arts back in 2007, and I thought it would be a great technique.  I used 100 % cotton batting and Jacquard Dye-na-flow paints, as suggested in the article, but I don’t know why I thought I would like this.  The batting is bound to soak up more dye than cloth would, and take more time to dry, and I am not a big fan of fuzzy surfaces anyway.  The dyes looked intense when wet, but faded to almost nothing when they dried.  I tried polyester batting too, but didn’t like the results any better.  I’m sure someone can turn this technique into fine art, but not me.

dyed batting

Dyed batting

Then I tried painting batting with acrylic paints.  Again, the batting soaks up a lot of paint, takes forever to dry (like three days), and then feels like melted plastic afterward.  I just don’t see what advantage there is to painting batting as opposed to painting cloth.  I have retired this technique.

painted batting

Painted batting

After that, I had more fun.  I remembered that Williamson had used produce net bags (from lemons, potatoes, etc.) in her mini-quilts, and I started collecting them.  It’s amazing how many variations of those are at the grocery store.  Here are some of the other supplies I gathered up to use with them.

supplies

Slide and negative holder sheets, packaging, sari yarn, and produce netting.

They were all things I had lying around the house, with the exception of the sari silk ribbon and yarn.  I am always buying these at W C Mercantile in Navasota, Texas, planning to get really good at couching threads and embellishing quilts, but that hasn’t happened yet.

sari yarn

Sari silk ribbon and yarn

I used the plastic sheets that are meant to hold slides and photo negatives, to contain some of the packing material and netting.  I also used some heavy black mesh shelf liner, which I liked for its graphic weight.  It was fun to arrange the objects in the pockets, and they were easy to sew.  (If you decide to try them, it is easier to sew them in place first, especially if you are going to put something bulky in one of the spaces.)

Once I started experimenting, I had a lot of fun playing with the transparent effects of the produce netting.  It took on different appearances depending on how many thicknesses I used, whether I layered it with a different color, or whether I stretched it out.  I even rolled it up.  (If you decide to try using them, for small pieces, it is easier to sew the netting first, and then trim it to the size you want.)  I used a scrap of an old sheet and some batting for the background.

placement

I put netting and packaging into the pockets of the photo sheets, and tried them out.

Once I had the photo sheets the way I liked them, I removed them to add more netting on the background.

adding the background

It’s not often I get to work with transparent materials.

Then I sewed the binding on before adding the bulky sheets, because I thought that would be easier.

binding

Binding before bulkiness

After the binding (which needs a lot of help, but that was not my focus with this project), I put on the pocket sheets as another layer.

For further layering,  I tried wrapping the slide frames with pony tail holders,  sari yarn and the sari ribbon.  The only one that looked right to me as this piece progressed was the sari ribbon, mostly because of the color palette.  But I think I will use sari yarn and pony tail holders in the future.

pony tail holders

Slide frame wrapped with pony tail holders – I think this could be a cute edge treatment in the right place.

I love these little cosmetic sponges for applying paint, and they always seemed like a great possibility to use as batting shapes.

sponges

Cosmetic sponges – or pre-cut batting shapes?

I wrapped in a large-scale flexible mesh and added them as another layer.

final project

I like the little slide frames wrapped in silk ribbon the best.

I had a lot of fun experimenting.  However, after I was finished, the piece reminded me of those travel toiletries bags  – too many plastic pockets!  So I don’t plan to use those again either.  But it’s just as important to know what you don’t want to do again – now I can pare down my supply closet a little with no guilt.

So that’s my March Madness.  And since everybody’s thinking in brackets this time of year, here’s how these materials played out for me!

brackets

Are you ready to rumble?

“Dynamiting” Silk

•March 26, 2013 • 6 Comments

In my last post I talked about the process of creating silk thread from cocoons.  To me, silk has always had an aura of leisure and luxury, but in reading about it I have been amazed at the amount of duplicity, scandal, and outright warfare it has engendered.

You may know that old silk fabrics often have holes where iron was used for black dye, as the iron has oxidized and eaten away the fabric.  I always thought that that dyers of the time just didn’t know better, but my 100-year-old textile books have pages of warnings to consumers about damaging mordants and dyes.

After silk is reeled or spun into thread, it is degummed by being boiled in soap and water.  This degumming removes the sericin, causing the silk to lose weight, usually about 25%.  Since it is so costly, manufacturers have always wanted silk to leave their mills at the same weight it came in, and so “weighting” the silk back to its original weight has been an accepted practice.  Some of the substances used were sugar, and “sugar of lead.”

In the late 1800s and early 1900s, however, mill owners trying to cut costs added many more minerals to the cloth.  This was known as “dynamiting” the silk.  Iron and tin salts were frequently used to add weight, and it was widely reported that 10 pounds of raw silk left the mill as 50 pounds of black silk.

illustration of dyed silk and the metal used in dyeing it

Silk sample and the metals left over after the cloth has been burned away.

The unwitting customer would buy rich heavy silk, only to have it disintegrate in spots after wearing only a few times, or even while it was being made into a garment.  The silk could absorb the metal salts, but they stretched the cell walls and caused them to break.  Tin salts crystallized when exposed to light, and the facets cut the silk from within.  Honest manufacturers couldn’t get a fair price for good, enduring silks, because consumers were reluctant to pay high prices once they had purchased “guaranteed” fabrics that disintegrated.

silk patch

This old silk quilt has held up amazingly well. Here all the patches are intact, even the ones in black, which was often achieved with unstable dyes.

parch with missing cloth

Here, however, some of the cloth has disintegrated entirely, showing the blue backing.

patch with shredded silk

The pink and yellow patches (two colorways of the same fabric) are shredded, while the patches around them are fine.  This could be a result of metal salts used on the silk.

Because of the delicacy of silk, hand weaving hung on in the silk industry long after power looms had taken over the cotton and wool industries.  Even in 1900, many hand looms remained in use.

But as established silk companies faced new mills with more modern equipment and cheaper unskilled labor, they knew they had to update or go under.

In 1912,  Henry Doherty of Doherty Company in Paterson, New Jersey, decided to build a new mill where he could place up-to-date equipment, and bring the workers from his three existing mills into one modern plant.  Silk weavers feared they would be required to work four looms instead of the one or two they were used to, and after negotiations failed, the 1913 Paterson Silk Strike began.

The strike eventually spread to 25,000 workers across five states, and lasted 20 weeks.  Broad silk weavers demanded a 44 hour work week for working only one loom.  Mill owners responded that weavers of intricate designs would stay with one loom, because such valuable material needed focused attention, but that with the new looms for plain goods, one unskilled weaver could easily manage four looms.

Ribbon weavers asked to be returned to the same pay scale they had had in 1894.  Mill owners replied that since they were paid by the piece, and the new looms wove much faster, their pay would rise from three dollars a day to ten dollars, and the mills would go out of business.  They said that Paterson already had the shortest hours and highest wages of any silk district in the world.

Dyers asked for more sanitary working conditions, as they had to breathe fumes all day and the floors were running with water.  They also asked for a 44-hour work week, with no reduction in pay from the 55-hour week they were currently working.  Again the response was that it was not possible to stay in business under those conditions.

The International Workers of the World (IWW) got involved.  The authorities claimed that they had actually caused the strike, agitating until formerly content workers struck, and that they harassed loyal workers who wanted to work.  The IWW speakers were denied the use of the lecture halls in the community, and ended up addressing crowds of workers every Sunday from the balcony of a home owned by Pietro Botto (it was made a federal landmark in 1973, and is now the American Labor Museum).

Here is part of a speech made by Bill Haywood, leader of the IWW:

Not many years hence the work will be in one mammoth plant, conducted by the workers.  There will be a wonderful dining room where you will enjoy the best food [with] sweet music by an unexcelled orchestra, a gynasiom and swimming pool and bathrooms of marble.  One floor will be devoted to masterpieces of art.  a first-class library.  Your work chairs will be Morris [reclining] chairs, so that you may relax in comfort.
Quoted in the Bergen Sunday Record, Sept. 30, 1973

Well, between that vision of a workers’ paradise and the mill owners’ vision of profits slipping away, there was not a lot of ground for compromise. Workers’ resources were running low, and they faced having to return to the mills.  IWW leader Frederick Sumner Boyd coached them to commit sabotage if they went back, to take away the owners’ profits.  On March 31 he suggested that dyers “fix a little something up in the dye boxes which ruin the goods without anyone knowing who was responsible.”

The next day he said:

Workers, when you go back to the mills, if there are any scabs when you go in, let them know that they can’t stay in the Paterson silk mills….Use no physical force, but do with them what they are trying to do with you, starve them out…. You weavers, take a cloth soaked in vinegar, and with it rub the reeds of the scab loom, in a very short time that scab will have to stand up while the loom is being repaired so that it will work.  He will be earning no money during that time.  If that should not fix him then take a piece of sand paper and rub the spindle of silk.  You can give it two or three rubs and then all its threads will break on him, and there he is , down and out.

As the strike wore on, the leaders came up with an unusual idea for a fundraiser – they planned a huge pageant at Madison Square Garden, in which 1000 textile workers would portray their experiences through tableaux. Since the performance was one night only, and many of the 15,000 spectators got in for free, they did not make a profit, but they did get the publicity they hoped for.

Their 35-page program detailed the ways bosses cheated the textile workers, by writing down fewer yards than they actually wove, and making them pay for yardage with mistakes, but keeping the yardage to resell.  It also informed readers that the real sabotage was that done by the silk bosses, when they sold adulterated silk.

At the end of June, Boyd was arrested on two counts of encouraging sabotage.  He ended up serving a year in prison, even though he had not committed any damage himself, nor was there any evidence of someone sabotaging equipment due to his advice.  In 1916, Elizabeth Gurley Flynn published a small booklet, Sabotage.  She described the “dynamiting” process, and defended Boyd with the argument that the real sabotage perpetrated on the public was that done under the guise of profitable business practices, and that it was criminally more far-reaching than labor agitation.

And I can’t imagine — even in a court of law — where they can find the fine thread of deviation — where the master dyers’ sabotage is legal and the worker’s sabotage illegal, where the[y] consist of identically the same thing and where the silk remains intact. The silk is there. The loom is there. There is no property destroyed by the process. The one thing that is eliminated is the efficiency of the worker to cover up this adulteration of the silk, to carry it just to the point where it will weave and not be detected.

Suppose that he had said to the dyers in Paterson: “Instead of introducing these chemicals for adulteration, don’t introduce them at all. Take the lead, the zinc, and the tin and throw it down the sewer and weave the silk, beautiful, pure, durable silk, just as it is. Dye it pound for pound, hundred pound for hundred pound.” The employers would have been more hurt by that form of sabotage than by what Boyd advocated. And they would probably have wanted him put in jail for life instead of for seven years.

Now, I am normally a person who is just full of solid middle-class sensibilities, but even I can see her point.  If the whole system is set up to work dishonestly, how can you discern which dishonest practice is acceptable and which isn’t?

It’s been 100 years since the strike.  About ten per cent of the workers left Paterson, never to return.  Doherty’s was the last silk mill built there.  The eight-hour-day caught on within a few years, but as late as 1928, Paterson was advertising for 12-hour-a-day textile workers.  With the Great Depression and the rise of synthetic fabrics, Paterson never recaptured its earlier success.

Mr. Boyd was released from jail, and was later seen in a restaurant in Washington DC on April 6, 1917.  The US had just entered the Great War that day, and in patriotic fervor, restaurant patrons rose to sing “The Star-Spangled Banner” on the hour.  Boyd and his companion Jennie Ashley (who had also participated in the 1913 Silk Strike) would not rise even when asked to do so by the German waiter and then a deputy sheriff.  They were pelted with lettuce by the other diners.   Miss Ashley threw salad and mayonnaise at the waiter and then disappeared into the crowd.

The deputy sheriff said, “Why don’t you get up?  Don’t you know this is the United States?”  Boyd replied, predictably, “To hell with the United States!”  But then he raised his glass and said, “Here’s to the King!”  Our friend may have been an anarchist but he had come from England only six years before, and was apparently very loyal.  He was hauled off to the police station and charged with disturbing the peace.  He only made Page 10 in the Washington Times the next day, and that is the last I can find of him!

 
Russel Ray Photos

Life from Southern California, mostly San Diego County

primal quilting

food, fabric, and other musings

Clear Reflection Yoga

Personal reflections mixed with current research on the healing powers of yoga, particularly for those living with chronic illness or a history of abuse.

cotton happy days

stash busting patchwork and projects

365 reasons to celebrate

Celebrating something different, everyday.

Blogging for a Good Book

A suggestion a day from the Williamsburg Regional Library

If These Threads Could Talk

The Quilt Label Lady

christianeryder

Sharing my passions

inkled pink

warp, weave, be happy!

buriedinscraps

Decide what to be and go be it.

Sharon's hodge-podge

Idaho backroads, ephemera, heritage, history & rural living

***Artfully Ooglebloops***

artsy endeavors, quilting, and farm life - always with a cup of tea

The Vintage Traveler

Fuzzylizzie's Fashion & Travel: Vintage Style

I Am with you always

Occasional musings of things that delight a child of God

Bottleneck Consensus

Textiles for the new world.

Meridian Jacobs Weblog

Life on the farm and at the loom.

Follow

Get every new post delivered to your Inbox.

Join 102 other followers