A Field Trip and a WIP

A few days ago a friend and I met at a wonderful shop called Mohair and More, in New Waverly, Texas.  The shop is just a few minutes from the freeway, but the neighborhood still has that old time, tiny town, unhurried feel.  The two ladies in the shop were so welcoming and knowledgeable, but they were also content to let me wander, re-wander, and repeat wandering up and down every aisle as I fondled and pondered the delectable choices.

The quintessential yarn shop -- teaching, browsing, reading, and chatting going on in one bright colorful space.

The quintessential yarn shop — teaching, browsing, reading, and chatting going on in one bright colorful space.

The shop owner raises Angora goats and sells the fiber in her shop!  You can’t get much more local than that.  Look at all the colors available!  And I appreciate her giving me permission to take photos.

The color samples are tucked into this louvered door -- what a good idea.

The color samples are tucked into this louvered door — what a good idea.

Luscious colors. I believe these rolls were for felting.

Luscious colors. I believe these rolls were for felting.

I don’t have a spinning wheel (yet) so I bought yarn instead of fiber.

After much deliberation, I settled on these.

After much deliberation, I settled on these.

Berroco Captiva -- cotton, polyester, and acrylic.

Berroco Captiva — cotton, polyester, and acrylic, made in Italy.

Malabrigo Lace -- merino.

Malabrigo Lace — merino, made in Uruguay.

(In light of what I’ve been reading about sustainability, it’s interesting to read the history of the Berroco company, and about Malabrigo‘s history and commitment to sustainable practices.  I look forward to the day when quilt fabric companies provide this level of information.)

The best find of the day was PLY magazine.  I don’t consider myself a spinner, but the magazine’s big bold pictures called out to me, and as I skimmed through, I could see that there were articles for drop spinners, wheel spinners, knitters, and artists.  I chose two issues, on Community and Texture, and when I got home I just read them straight through.  There is such a wide range of articles — along with the expected ones on sheep breeds, fiber art history, and spinning techniques, there are articles on how to set up a fiber retreat, how to avoid injuries from the repetitious motions in craft, how to express a sense of place on one’s fiber art.

Some of my favorite articles:  “Metal-wrapped Yarn,” “Spindle Sommelier: Pair your fiber perfectly”, and “Spindle 7”, an account of a site-specific art project on the #7 train in New York.    So many new ideas!

Here’s the video mentioned in that article:


<p><a href=”https://vimeo.com/15853937″>Spindle 7</a> from <a href=”https://vimeo.com/susanforste”>Susan Forste</a> on <a href=”https://vimeo.com”>Vimeo</a&gt;.</p>

The magazine’s generous and inclusive attitude seems to me to be summed up by article author Suzy Brown: “The concept of ‘intellectual ownership’ is impossible if you believe in the collective unconscious so I prefer to go ahead and share ideas and inspiration rather than keep them to myself.  I prefer to be part of a community, rather than a dragon alone, guarding my gold.”  (in the article Collective Creativity in the Community issue)

I will definitely be re-reading these and subscribing.

That’s the joy of a Local Yarn Shop — not just the hour of fun in the store, but the extension of the visit with hours of creativity and community afterward!

Other than that, I have not been making huge progress on any projects.  I am still working on the Shirts and Ties quilt blocks, and I am up to a total of 10.  In eight the diagonal is “forward slash” and in two it is “back slash”, so I need to make more “back slash” blocks.  I haven’t begun to decide how I will cut up these blocks and rearrange them.  I am enjoying making them because they are “suited” to being worked on in small amounts of time.

Eight "forward slash" blocks.

Eight “forward slash” blocks.

Two "forward slash" and two "back slash."

Two “forward slash” and two “back slash.”

I kind of like the way that the rocks holding down the corners give a little roundness to the design.  I think I will try to add in something to evoke tie pins and cuff links.

So my actual textile time has been minimal lately, but it has affected many more hours with mental satisfaction!